Animal Visuals Offers Glimpse into Lives and Deaths of Farmed Animals

The principal at Whitwell Middle School in rural Tennessee knew that it was difficult for students to envision just how many 6 million is when they were studying the Holocaust (the number of people who were exterminated by the Nazis), so they decided to collect paperclips (one clip to represent one person) to help create a visual representation (see the documentary about the project it became).

Likewise, when we ask people to think about the number of land animals killed for food in the U.S. each year – more than 10 billion – the number alone can be a poor representative of the depth and breadth of suffering and death involved. Recently I found a powerful little visual representation of the number of chickens (9 billion), pigs (116 million) and cows (35 million) killed in the U.S. for food in 2008.

Created by Mark Middleton, founder of Animal Visuals, the brief video shows little animated cow, pig and chicken carcasses sliding along a slaughterhouse line at the average rate of slaughter (such as 287 per second for chickens). The data for the animation comes directly from the USDA.

When you sit and watch all those bodies swinging (and sometimes kicking) along the lines across your screen, and note the counter tallying up the number of cows, pigs and chickens who are being killed during those brief seconds that you’re watching, it’s a visceral image, without being too graphic, so it’s a great little too to share with others. (There’s also a link to “stop” the killing lines and find out about vegan resources.)

Middleton’s goal with Animal Visuals is to “provide compelling visuals and interactive media to empower animal advocates, educate the public, and expose the injustices of animal exploitation.”

He has also created a Virtual Battery Cage, which offers a glimpse into what a battery hen endures while in her cage. The “virtualization” also includes sound and factoids. Although I’m glad this tool exists, I don’t think it’s as strong as the slaughter animation; but, it’s still a new and different perspective.

Look for Middleton to create more such tools in the future.